NOAH KAHAN

NOAH KAHAN

Dean Lewis

Thursday 10/25

Doors: 8:00 pm / Show: 9:00 pm

$15-17

Sold Out

This event is all ages

ADV TIX $15 / DOORS $17. Orders place for the sole purpose of resale will be cancelled. Orders exceeding the 8 ticket limit subject to cancellation.

 

NOAH KAHAN
NOAH KAHAN
Small town wonderment led Noah to explore songwriting early on, emulating musical influences like Paul Simon, Ben Howard, and The Lumineers. He writes with thought-provoking realism about self-doubt and fear while highlighting the intricacies of relationships with an unpolished sincerity. That approach, along with head-turning vocals, has brought Noah a long way from Strafford in a very short time. As a senior in high school, Noah’s unique take on the world and his knack for crafting a captivating story attracted the attention of world-class songwriters Dan Wilson (Adele), Scott Harris (Shawn Mendes), Chris DeStefano (Carrie Underwood), among others. Word spreads quickly within the songwriting community and Noah soon became a welcomed collaborator of its inner circle.

In 2016, the 20-year-old attracted GRAMMY® Award-winning super-producer Joel Little (Lorde, Khalid). The two recorded six songs together which have since been released periodically throughout 2017 via Republic Records. Debut single“Young Blood” entered Spotify’s US Viral Chart at #5, and quickly cracked over 9 million streams.

They honed that groove to perfection on the break out single “Hurt Somebody.” Propelled by lithe acoustic guitars, an unpredictable rhythm, and an impressive vocal range, the song was immediately showcased on Spotify in its coveted New Music Friday Playlist. Gaining steam, “Hurt Somebody” amassed over 1.4 million streams in less than a week, appeared on the global viral charts, and earned acclaim from Billboard who wrote, “It allows the songwriter to showcase his ability to blend mature themes with a folk-pop twist.”
Dean Lewis
Dean Lewis
Years ago, at a function, Dean Lewis befriended a woman who was in music publishing. After chatting, he told him about Lewis: How he was having trouble making it in the music industry, how he couldn’t seem to catch a break. His friend asked if she wouldn’t mind listening to Lewis’ music. She listened immediately and was completely won over by Lewis’ raw talent and unique songwriting. He was pretty much signed to her publishing company by the end of the taxi ride home.

At first, he did a little bit of songwriting for other artists, but found it frustrating and unfulfilling. It wasn’t until Lewis’ publishing company sent him to the small town of Hitchin in Hertfordshire, England to work with producers Nick Atkinson and Edd Holloway, that things started to take off. The first song they worked on was “Waves” which turned Lewis from unknown songwriter to hit-maker overnight.

“Waves” was added to Triple J rotation, has had over 122 million streams, 31 million video views and was the second biggest Australian single of 2017.  Suddenly, Lewis was gracing the stages of Europe’s biggest television shows, playing headline shows and festivals slots across Australia and the US. “Waves” even appeared on programs like Suits, Riverdale and Grey’s Anatomy.

On Dean Lewis’s latest single, “Be Alright” for Island Records, he perfectly captures gut-wrenching heartbreak that comes with the hardships of a break-up. But while it deals candidly with anguish, the chorus swells with hope; a recognition that this pain is only temporary, with Lewis emotively singing “It’s never easy to walk away/ Let her go/ it’ll be ok”.

Lewis says the song is written about a bunch of different relationships. It was at the end of one of those relationships that he remembers driving straight to his brother’s house, “He met me at the front door, handed me a glass of whiskey, and said ‘It’s over, put the phone away, it will be alright.’ We had a drink and it just felt good to talk. For me this song is about hope and knowing that when you surround yourself with good people, things do work out."

The song is stirring and stripped back in instrumentation allowing listeners to really grapple with the emotional weight of the track. Sonically, the song places Lewis in the vein of his heroes like Noel Gallagher and Richard Ashcroft. “Be Alright” is a testament to his knack for writing thoughtful, evocative no-frills pop songs, and signifies Lewis as a bona fide star in the making.
Venue Information:
Rickshaw Stop
155 Fell St
San Francisco, CA, 94102
http://rickshawstop.com