CRUMB / COMBO CHIMBITA

CRUMB / COMBO CHIMBITA

PLLUSH

Sunday 3/25

8:00 pm

$10-12

Sold Out

This event is all ages

ADV TIX $10 / DOORS $12. Orders place for the sole purpose of resale will be cancelled. Orders exceeding the 6 ticket limit subject to cancellation.

 

CRUMB
CRUMB
Crumb is a collaboration between four friends (Lila Ramani – vocals/guitar, Jesse Brotter – bass, Jonathan Gilad – drums, Brian Aronow – synth/keys/reeds/percussion).

After playing music together in various projects for years, the group came together to explore some songs Ramani had written in college, a recording project that became their first self-titled EP. On their second EP, Locket, which was written and recorded by the group while split between Boston and New York for a year, Crumb continues to play with intimate, soulful, and psychedelic sounds.

Now, for the first time in a year they live in the same city where they continue to write new music, collaborate with other artists, and play more shows.
COMBO CHIMBITA
COMBO CHIMBITA
Rooted in Colombia and based in New York, Combo Chimbita lives in the future. After playing together for years, these first-generation New Yorkers—powerhouse vocalist Carolina Oliveros, synth and bassist Prince of Queens, guitarist Niño Lento, and drummer Dilemastronauta—began experimenting with different traditional musical styles during their late night residencies at Barbès in Brooklyn. Exploring the connections between visual identity and improvisational long-form trips, Combo Chimbita came together as a four-piece band after they started encouraging more vocals by Carolina Oliveros, who tightens the rhythm with her guacharaca. Although their backgrounds are in heavy rock, metal, and psychedelic funk and soul, they gleefully fuse elements from cumbia, 70s funaná from Cape Verde, kompa from Haiti as well as salsa & reggae, mixing the Guacharaca and futuristic-yet-retro synth sounds.
PLLUSH
PLLUSH
Pllush - When first arriving on the Bay Area music scene in late 2014, Pllush made a dent with a powerful set of tracks that fit nicely within the rising wave of shoegaze/dream pop revival bands at the time. However, due to an undeniable songwriting prowess that extends far beyond convoluted pedal-board setups or louder amps, Pllush had elevated themselves into a league of sonic mastery, not dissimilar from obvious touchstone influences (i.e. Mazzy Star, Slowdive, Portishead). The quartet’s second batch of songs, Please, furthered their growing following and replaced their initial gravitation towards maxed-out guitars and splashed cymbals with an eerie, groove-filled bent, channeling Drop Nineteens at their most tender, and imbuing Grass Widow-esque layers of harmony into songs already dense with melody.
Venue Information:
Rickshaw Stop
155 Fell St
San Francisco, CA, 94102
http://rickshawstop.com