MAUS HAUS (ep release party!), SISTER CRAYON

MAUS HAUS (ep release party!)

SISTER CRAYON

RADIATION CITY

Sat, November 3, 2012

8:00 pm

Rickshaw Stop

$10-12

This event is all ages

ADV TIX $10/DOORS $12. There's a 6 ticket limit for this event per household, customer, credit card number and email address. Patrons who exceed the ticket limit can have their order cancelled automatically and without notice.

MAUS HAUS (ep release party!)
MAUS HAUS (ep release party!)
San Francisco's Maus Haus sounds like a confection of Kraftwerk, the Beach Boys, and Sonic Youth, ground up and re-formed into a filet of raw cool. Amid bursts of glitchy noise, dirty drums, and buzzy synthesizers, the band keeps the whole thing fun--with catchy vocals and hypnotic rhythms. The resulting sound is startlingly unique yet strangely familiar.

Since the release of 2009’s sprawlingly strange Lark Marvels, the live band has refocused from a 7-person stage-filling ensemble, to a powerful 4-piece stripped down to the essentials. The upcoming seven-song Light Noise, slated for fall 2012 release by Om Records’ new imprint Lavish Habits, features an instrument previously rejected by the band — the guitar.

"Their full-length debut, Lark Marvels, [is] packed with fuzzed-out trippy gems and surprising patches of indie-inspired melody. While Maus Haus have previously garnered comparisons to Silver Apples and Captain Beefheart, Lark Marvels reveals additional influences from Add N to (X), Kraftwerk, and Nuggets-era pop." --Flavorpill
SISTER CRAYON
SISTER CRAYON
An off and on recluse, Terra Lopez spent countless hours in her Northern California bedroom each day, recording hundreds of gritty, personal demos with her classical guitar and MPC. Staring at the ceiling of her apartment, she taught herself how to sing by studying vocalists Ella Fitzgerald, Billie Holiday and Jeff Buckley. It was during this time that Lopez started to form the sound and scope of what would become Sister Crayon. Shortly after, Lopez met Dani Fernandez and the two bonded over hip-hop and the MPC. Inseparable, the duo started collaborating and word spread quickly about Sister Crayon on the West Coast. Over the years, the project has undergone numerous lineup changes and been bolstered by the addition of live keys and drums. With drummer Omar Barajas in the mix, Sister Crayon’s live show is passionate, dynamic and emotionally resonant.

Since Sister Crayon’s debut release Bellow in 2011, Lopez and Fernandez have worked relentlessly to reinvent the project, with the focus shifting back towards its founding members. The two have honed in on the electronic side of things, centering more on Lopez’s powerful, diverse vocal range while utilizing heavy beats and haunting melodies. Having toured nationally for most of 2012 with the likes of Built to Spill, The Album Leaf and Maps & Atlases, Sister Crayon went into the studio in late September to record the Cynic EP. The record is at times raw and inconsolable, inspired by Lopez’s absent father and daily frustrations with the past. Sister Crayon’s new body of work is unapologetic in its intensity, allowing them to create their most revealing work to date.
RADIATION CITY
RADIATION CITY
Portland’s Radiation City will release their second full-length album Animals In The Median, May 21, 2013 via Tender Loving Empire. From their use of modern electronic sounds and the restraint of classic bossa records, to the urgency and harmony of northern soul, the band has codified seemingly disparate ideas into a sound and ethos that is at once refreshing and classic

Effortlessly bending genres, Animals In The Median takes you on a journey through time. “So Long” turns Motown inside out with funky bass lines, catchy church organs and vintage vocal arrangements. The suspenseful lush orchestration of “Wash of Noise” soothes the musical palette. “Zombies” dabbles in doo-wop, flawlessly adorned with swinging handclaps and melodies. “Foreign Bodies” makes you want to snap your fingers to sweet and simple guitar rhythms that dance side by side with cascading flute melodies over a strong even beat.

"A new generation of acts that don't care much for the longstanding walls between slow acoustic pop, dance music, experimental electronic music and distortion-fueled rock." --Willamette Week

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Venue Information:
Rickshaw Stop
155 Fell St
San Francisco, CA, 94102
http://rickshawstop.com